Athens did some premature optimisation with its street names. When Athens became capital of the Greek State, there was a rush to name its streets after all the gloried personages of antiquity. The problem was, Athens in 1833 was just Plaka and other densely laned streets, and a building project of new avenues. The new […]
The basement of the museum has instruments that don’t quite fit into the narrative of public, festive music-making. Bells. Lots of bells. Greeks didn’t really do carillons: tuned bells were more for shepherds’ amusement, and noise-makers during carnival. Cymbals and spoons came in for use as accompaniments to dancing—the spoons being a particular favourite in […]
As you go down into the museum basement, you see a box by the side that is unlabelled, but instantly recognisable, for anyone that has watched a Grecollywood film. Well… I thought I’d captured it. I also thought that my instantané photography was charming and spontaneous, which it is, when it isn’t completely blurry and […]
Flutes are another instrument that did not go professional, and fell out of practice in modernity. The distinction between the flogera and the souravli, the open flute and the ducted flute, is not one I have any idea about: The museum has a proud array of flogeras and souravlis: And in the bottom right corner, […]
I’ll let the museum itself describe the two families of bagpipes in Greece, the mainland gaida (name used throughout the Balkans, Turkey, and Ukraine), and the island tsambouna (Italian zampogna):I commented earlier that drum accompaniment was the very earliest iteration of folk instrument bands. Drums fell out of use, as being too loud for recording. […]
Greek folk music used to run on pairings of a melody instrument, and a rhythm instrument. That principle kept going into modern times, but the membership changed. Stage 3, which there was a bit of in the mainland, and a lot more of in the bouzouki orchestra, was several melody leads alternating, and several rhythm […]
The Greek versions of the dulcimer and the zither, the santouri and the kanonaki, are instruments of Asia Minor, and are shared with the Arabic musical world (santur, qanun). The hammer-struck santouri is fearsome enough: the plucked kanonaki (thimbles pictured if out of focus), with its fine-tuned bundles of strings, appears to me beyond the […]
The dominant instrument of the Greek islands and Asia Minor is the lyra, a bowed instrument played on the knee, and that originated in Byzantium; I don’t have a clear sense whether the Byzantine lyra, or the Arabic rebab came first. In Turkey and in Pontic Greek, it is called the kemençe, and it is […]
This museum was a delight, which is a bit surprising, considering it was just three floors of musical instruments in cases. But I had a broad grin going through it, seeing the historical development of instruments and instrumentation choices, and a couple of times being presented with instruments I’d never heard of. The pictured toumpi, […]
Tumbling down steps in Plaka onto the Roman Forum of Athens: The Tower of the Winds in the Roman Forum of Athens: sundial, waterclock, and wind vane, complete with statues of eight wind gods, one each 45°. Later ended up a bell-tower, and then a Sufi hall. The fact it is as intact as it […]